2015¾çÇ鯬µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬¿ì²¥QVODµÂ¾üÕ¼ÁìµÄ¬¸¡¹¬µçÓ°ÊÇÓÉÑÇÀúɽ´ó¡¤Ë÷¿ÆÂå·òµ¼ÑÝÖ´µ¼,µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬°Ù¶ÈÓ°ÒôÍêÕû°æÂ·Ò×˹¶ä-µÂ-À¼ÇÐÈø Johanna Korthals Altes Vincent Nemeth Benjamin UtzerathµÈÃ÷ÐÇÖ÷Ñݵ¾üÕ¼ÁìµÄ¬¸¡¹¬¸ßÇå°æ¡£µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬QVODºÍµÂ¾üÕ¼ÁìµÄ¬¸¡¹¬ÔÚÏß¹Û¿´¸ßÇå°æÇë¹Ø×¢¿Û¿ÛµçÓ°ÍøÅ¶µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬ÍêÕû°æ£¡
µÂ¾üÕ¼ÁìµÄ¬¸¡¹¬ÍêÕû°æµÂ¾üÕ¼ÁìµÄ¬¸¡¹¬¾çÇé½éÉÜ£ºSokourov, whose Faust won Venice's Golden Lion last year, received $20,000 (€15,000) toward the development of The Louvre Under the Occupation, a feature billed as exploring "the relationship between art and power."
Sokourov knows his way around a museum, having directed the documentary Russian Ark, a dramatization of Russian history set entirely in the Russian State Hermitage Museum and done in one continuous shot.
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